Faith https://worthitorwoke.com If it ain't woke don't miss it Tue, 16 Jul 2024 02:52:59 +0000 en-US hourly 1 https://i0.wp.com/worthitorwoke.com/wp-content/uploads/2024/01/cropped-wiow-worth-it-or-woke-cirlce-logo.png?fit=32%2C32&ssl=1 Faith https://worthitorwoke.com 32 32 212468727 Monkey Man https://worthitorwoke.com/monkey-man/?utm_source=rss&utm_medium=rss&utm_campaign=monkey-man https://worthitorwoke.com/monkey-man/#comments Mon, 15 Apr 2024 03:29:25 +0000 https://worthitorwoke.com/?p=16696 Monkey Man is an ego stroking waste of time that doesn't even have the decency to be bad enough to be good.

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Hanuman is a prominent figure in Hindu mythology, revered for his unwavering devotion, strength, and loyalty. He is depicted as a monkey god, known for his pivotal role in the epic Ramayana, where he aids Lord Rama in his quest to rescue his wife Sita from the demon king Ravana. Hanuman is also worshipped as a symbol of courage, humility, and selfless service in Hinduism, with temples dedicated to him across India and beyond. He is also the inspiration for Monkey Man.

Monkey Man

A young fighter named Kid plans and exacts his revenge for a lifetime of tyranny and loss.

 

Review

Monkey Man is a slapdashed action/revenge film with an underdeveloped everything except an overdeveloped sense of its own importance.  With a messy narrative scotch taped together with thousands of nausea-inducing fast cuts and a bloated cast of nameless characters that make cardboard cutouts look deep, not even the writer/director/star of the film’s 1000% commitment and impressive physical prowess is enough to make this monstrosity passably entertaining.

If you thought that The Beekeeper was a poor man’s John Wick, Monkey Man is a cheap Indian knockoff to rival Bollywood Superman. From the black-on-black suit to the unstoppable badassery as Dev Patel’s Kid slices his way through one nameless thug after the other, there’s neither an original thought nor even a good one evident at any moment in this husk of a waste of time.

Sidenote: Those of you who have read other reviews on this site know I normally write significantly longer ones than this. However, this movie is 2 hours of noise and strobe lights that I will never get back and have no desire to spend any more time thinking about.

 

WOKE ELEMENTS

Because he said so
  • There need be no ambiguity. The writer, director, and leading actor Dev Patel has expressly said that this film is about activism.
    • It is a movie solely about power dynamics and victimization.
Teenage Mutant Ninja Trannies
  • Kid is rescued by a temple full of dudes who think that they are women. Their wisdom and kindness drives half of the film.
    • Later, they save him again, but this time, they are ninjas in Asian drag queen armor.
Faith: We Should Be Fighting For Each Other… But Not Christians
  • In the video above, Dev Patel says that his movie is supposed to be about the beauty and importance of “faith” and that we should come together as one under it.
    • In the film’s first scene, after its prologue, a ring announcer who is working the crowd randomly tells them that they consist of people of various religions, which he lists off to cheers. Of course, when he gets to Christianity, the crowd aggressively boos and hisses.
    • Sidenote: this is such a meaningless bit of Leftist BS. Faith unto itself is meaningless. My youngest children have faith that a fairy sneaks into their rooms at night to trade money for teeth. There are all kinds of false idols and crazy ideas in which people place their faith. Faith is only good if that in which you have put it is both good and true.

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After Death https://worthitorwoke.com/after-death/?utm_source=rss&utm_medium=rss&utm_campaign=after-death https://worthitorwoke.com/after-death/#comments Mon, 16 Oct 2023 22:09:37 +0000 https://worthitorwoke.com/?p=12139 After Death is a profound and captivating exploration of life's ultimate mysteries, a must see.

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One of the earliest near-death experiences occurred around 375 BC and was recorded in Plato’s Republic. It tells of a warrior who was killed in battle, is miraculously revived at his own funeral, and then tells the assembled mourners of his after death experience and the mechanism by which the dead are judged for their corporal deeds.

After Death

On the heels of their surprise megahit, Sound of Freedom, Angel Studios isn’t slowing down. After Death, set to be released in theaters on October 27 of this year, documents the experiences of several men who, after undergoing extreme physical trauma and being deemed clinically dead, attest to having crossed over to the other side before their miraculous return to the material plane.

In today’s secular world, filled with scientific explanations for everything from loyalty to happiness and technological marvels bordering on magic, it is easy for believers and non-believers alike to dismiss these types of anecdotal tales as simple hallucinations and dreams. However, After Death presents compelling evidence and heartfelt testimony that may not constitute proof but certainly provides enough material for thought-provoking contemplation.

Due to the inherently qualitative nature of the content, the average viewer could easily find their thoughts veering into skepticism as they begin to pick apart the individual narratives. However, thanks to the expert craftsmanship of its talented directors (Stephen Gray and Chris Radtke), who masterfully conduct every component of this storytelling symphony, your attention never has a chance to stray.

Gray and Radtke have successfully crafted a captivating work that provides viewers with the opportunity to fully absorb the documentary, readying it for later discussion and debate.

Presented through high-quality reenactments, narrated by the real-life subjects themselves that may just have you dabbing at your eyes more than once, and interspersed with insights from medical, psychological, and philosophical experts, After Death is a dynamic documentary brimming with gripping tales of resilience and optimism.

WOKE ELEMENTS

None

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The Blind https://worthitorwoke.com/the-blind/?utm_source=rss&utm_medium=rss&utm_campaign=the-blind https://worthitorwoke.com/the-blind/#respond Wed, 27 Sep 2023 12:00:03 +0000 https://worthitorwoke.com/?p=11575 The Blind is a welcome leap forward in Christian filmmaking

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Born on the bayou in 1946, Phil Robertson went from living in a house without a toilet to founding a company worth millions, but more importantly, Phil Robertson went from a man lost to sin to a child of God. The Blind is the story of that redemption.

The Blind

Based on the real-life events of Phil and Marsha (Miss Kay) Robertson, The Blind delves deep into their lives, starting with their childhood and concluding with Phil’s descent into darkness and life-saving salvation.

Redemption stories are the ultimate underdog tale, and that is one of The Blind’s strongest assets. However, it’s certainly not its only one. It’s a beautifully shot film and cinematographer Chris Stacey should be applauded for his efforts. He provides some exquisitely framed moments and does an excellent job of visual storytelling without getting in the narrative’s way by over-stylizing, which is a particular triumph when one considers his limited experience (The Blind is his 3rd feature-length film).

Offering audiences the film’s standout performance, Amela Eva gives a fantastic turn as the adult Miss Kay. Eva remains present and fully invested in her character throughout, delivering both well-scripted and the occasional but noteworthy clunky line with grace and sincerity.

Not far behind Amela, is Aron von Andrian who plays adult Phil. von Andrian, an English native, has numerous excellent moments throughout The Blind. At his strongest during Phil’s spiral into debauchery, which is the bulk of the film,  there is never a moment in which von Andrian does not appear fully invested in Robertson.

von Andrian’s commitment and obvious skill make it all the more frustrating when he has to deliver some of the film’s clunkiest and most artificial-sounding dialogue. There aren’t many instances of it, but when it occurs, Laurence Olivier‘s prodigious talent wouldn’t have been sufficient to rescue it. Furthermore, von Andrian isn’t aided by some horrendously fake-looking beards and beard dye jobs or his native accent.

There are definitely a smattering of  Walking Dead “Coral” moments.

As engrossing as most of the film can be, there are a regrettable number of scenes in which the viewers are ripped away from their investment in the film’s reality to return to the duck blind in which von Andrian’s Robertson is telling his life’s story to an old friend. These and the copious voiceover narration are the film’s least impressive aspects. Not only do the interjections serve to arrest the movie’s momentum but they eat up time that would have been better spent showing us more of Phil’s journey and robs us of the full emotional impact of his miraculous transformation.

Furthermore, much like the moral of the story, that salvation isn’t complex but necessary, Robertson’s story isn’t complex and doesn’t require a narrator’s help for the audience to grasp the significance of its beats. It’s unfortunate that director Andrew Hyatt doesn’t seem to trust himself enough to show instead of say because when he’s on, he’s on. With these infrequent interruptions notwithstanding, Hyatt keeps things moving along at a crisp pace and tells a touching and heartfelt story.

Even though The Blind isn’t perfect, its story of redemption and perseverance in the face of personal demons and human frailty is one worth watching, and much like another surprisingly engaging and overtly Christian movie from earlier this year, Jesus Revolution, The Blind is a massive step forward in the quality of these types of films. We are happy to declare that The Blind is Worth it.

 

The Blind Role Models

While the film provides a number of examples of people in Phil and Kay Robertson’s lives who are worthy of emulation it’s the two themselves who are the standout role models. Kay’s willingness to forgive the deepest of betrayals is a testament to God’s love and forgiveness of us.

Moreover, while Phil’s early failings are far from behaviors worthy of duplication, his humbling of himself before our Creator and his commitment to Him as well as his recommitment to his family are. Everyone falls. Not everyone gets back up.

 

WOKE ELEMENTS

Get outta here with that nonsense.

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Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World https://worthitorwoke.com/big-george-foreman-the-miraculous-story-of-the-once-and-future-heavyweight-champion-of-the-world/?utm_source=rss&utm_medium=rss&utm_campaign=big-george-foreman-the-miraculous-story-of-the-once-and-future-heavyweight-champion-of-the-world https://worthitorwoke.com/big-george-foreman-the-miraculous-story-of-the-once-and-future-heavyweight-champion-of-the-world/#comments Sat, 13 May 2023 18:18:56 +0000 https://worthitorwoke.com/?p=4615 More than just the Grill Guy, Big George Foreman tells an amazing tale of rags to riches to rags to riches and how Jesus made it all happen

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In 1994, after 10 years of retirement and at the age of 45, George Foreman became the oldest man in the history of boxing to win the Heavyweight Championship title. Ultimately, he would retire with a record of 76-5, 68 of which were knockouts.

BIG GEORGE FOREMAN

Big George Foreman follows Geroge from 1960s Houston, Texas’s poverty-stricken Fifth Ward all the way to his triumphant return to greatness in 1994. If you were to watch a recent interview with George Foreman, you wouldn’t recognize the gentle, smiling behemoth as the rage-filled youth who used to mug people and who used anger to pummel his way to Olympic gold and then become one of the youngest Heavyweight Champs in the history of boxing. This movie shows us why.

While there are several strong performances, particularly those given by Forest Whitaker, who plays the man who discovered and trained Foreman, Doc Broadus, this isn’t a film about performances. This is good because Davis, who plays Foreman, often suffers under the weight of a too-accurate impersonation of the boxing champ. You see, while the impersonation is excellent, Foreman’s rather placid persona doesn’t lend itself to the theatrics necessary to convey things like uncontrollable rage. Fortunately, once Foreman is washed clean in The Blood, the smiling and pleasant George Foreman that most of us know and love shines through.

Even though this is a boxing movie, the true star of the film is Jesus’s role in transforming Foreman’s life. Moreover, Foreman’s willingness to listen to God’s Will and the spiritual rewards that come with it is unarguably the most poignant and electrifying through-line of the film. However, none of this would have the impact that it does were it not for the historical drama that was Foreman’s rise to fame and fortune.

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That Big George Foreman is a good and entertaining movie, not despite its Christianity but largely because of it, is a testament unto itself. Whereas movies like Jesus Revolution, despite its surprising quality, mostly serve to entertain and uplift those who already believe, Big George Foreman can more easily touch the hearts of the nonbeliever because Jesus rope-a-dopes you throughout only to surprise you with a holy right cross in the second half.

You see, Big George Foreman is a really good boxing movie in which Jesus happens to play a key role. Any red-blooded man not suffering from low-T will be able to immediately identify with Foreman’s early struggles, especially those who know what it is to be truly hungry. Additionally, anyone who knows anything about Foreman’s boxing history will absolutely love watching the behind-the-scenes moments leading up to and especially after The Rumble in The Jungle.

Even so, in a 2h 13m movie, the lead-up to one of the most famous boxing matches could have been given more time to build. Instead, in its rush to get to Foreman’s conversion, there’s very little time given for the audience’s anticipation to build. Concordantly, Foreman’s tale is such a big one spanning so many decades that I suspect there is an extended edition lying on the editing room floor that would do even more justice to his story, and what we get in the theaters can sometimes feel rushed.

When the bell has rung, and the judges’ scores are tallied, Big George Foreman is a surprise knockout that fans of boxing and/or Jesus will love, and those who need Jesus in their lives should see. We are thrilled to mark it as Worth it.

WOKE ELEMENTS

None

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The Pope’s Exorcist https://worthitorwoke.com/the-popes-exorcist/?utm_source=rss&utm_medium=rss&utm_campaign=the-popes-exorcist https://worthitorwoke.com/the-popes-exorcist/#comments Fri, 21 Apr 2023 18:23:54 +0000 https://worthitorwoke.com/?p=6644 No one expects the Spanish Inquisition, not even The Pope's Exorcist.

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The Pope’s Exorcist tells the sensationalized and amalgamized tale of the true events of the real-life Father Gabriel Amorth.

The Pope’s Exorcist

The film’s premise is that in the late 80s, a recently widowed American, her teenage daughter, and young son move to Spain to oversee the restoration and eventual sale of the only asset of value left to them by their recently deceased husband and father, a 400-year-old Catholic abbey. Not long after their arrival, the boy, Henry, played by Peter DeSouza-Feighoney, stumbles upon the crumbling seal that had jailed the demon Asmodeus (aka the King of Hell) for hundreds of years. True to its nature, the fallen angel takes over the boy. After modern medicine finds no satisfactory answer, the family turnes to Father Gabriel Amorth, The Pope’s Exorcist, for help.

Starring Russell Crowe in the titular role, The Pope’s Exorcist brings little new to the sub-genre of possession horror, if you’ve seen the original Exocist, Nightmare on Elm Street, and Blade (for a single effect), you’ve seen every horror beat that this movie has to offer. More so, the entire first act feels like you’ve been transported back to the 80s to watch this film. The camera angles, the pacing, the sets, and even the score all feel as though they took an 88mph trip in a Delorean to today’s cinema. That’s not to say that The Pope’s Exorcist isn’t good.

With a couple of exceptions, the effects are high quality and effective in illiciting the fear that the movie is going for, but the single most differentiating factor for this flick is Russell Crowe. Crowe is an excellent actor with a somewhat inconsistent track record. For every Thor: Love and Thunder knotched into his belt, he has a Gladiator and A Beautiful Mind. However, in The Pope’s Exocist, his Father Gabriel Amorth, is engaging, ernest, and possesses dimension. Furthermore, his stalwart faith and intelligence sets him apart from virtually every other priest in one of these movies.

His faith isn’t treated like an outdated anacronism, and actually the film clearly criticizes those in the church who look at it that way, treating evil as “just a state of mind,” rather than true and tangible. As a matter of fact, Christian Faith is the star of this film. Unlike, in the Exorcist, in which a priest whose faith is in doubt due to his intelligent and scientific mind, Father Gabriel’s faith is unwavering. What’s more, is that he isn’t treated like a cartoon character whose faith was discovered at the bottom of a box of Lucky Charms.

The rest of the cast is serivicable, if contrived. Although, Daniel Zobatto, who plays Father Esquibel stands brightest among them. Unlike the disposably generic family that is the demon’s initial target, Father Esquibel is a 3-dimensional character with a moderatly interesting arc. Moreover, he ends up being an excellent adjunct to Father Gabriel.

With generally good pacing (for both acts 2 & 3) and performances by its two leads, as well as an unashamed view of Faith, The Pope’s Exorcist manages to mostly trancend its rather prosaic horror movie beats. That being said, if you are not a person of faith, I doubt that this movie will hold much interest for you. Much of what makes it scary is that Father Gabriel is real, and that this is loosley based on his experiences.

 

WOKE ELEMENTS

None. Even when I thought that they were going to beat us over the head with one or two things, they completely subverted my expectations.

 

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The Passion of The Christ https://worthitorwoke.com/the-passion-of-the-christ/?utm_source=rss&utm_medium=rss&utm_campaign=the-passion-of-the-christ https://worthitorwoke.com/the-passion-of-the-christ/#comments Mon, 10 Apr 2023 01:08:47 +0000 https://worthitorwoke.com/?p=6489 Hi is risen! The Passion of The Christ is one of the most important movies about the most important moment in human history.

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During the filming of The Passion of the Christ, lead actor Jim Caviezel endured a series of accidents and health issues that were nothing short of remarkable. Twice during the scourging scene, he was whipped, leaving a 14-inch scar on his back. He also dislocated his shoulder during the carrying of the cross scene. Not only that but Caviezel suffered from hypothermia, pneumonia, and a lung infection due to the intense physical demands of the film’s production. If that’s not enough, he was struck by lightning twice during filming and, as a result, had to have open heart surgery after the movie wrapped. Despite these challenges, Caviezel persevered, delivering a powerful and moving performance that is arguably one of the greatest portrayals of Jesus Christ in film history.

The Passion of the Christ

The Passion of the Christ is a triumph of storytelling, blending raw emotions with powerful themes that will touch the hearts of its viewers. Directed by Mel Gibson, the film’s stunning visuals, expert use of color and light, and beautiful score all work together to create an immersive and emotionally impactful experience.

The film’s unflinching portrayal of the violence and suffering that Jesus endured is both harrowing and necessary to convey the full weight of Christ’s sacrifice. It is a film that does not shy away from the difficult realities of the crucifixion, yet still manages to convey a message of hope and redemption that will resonate deeply with audiences.

However, unlike its subject, The Passion of the Christ isn’t perfect. Gibson had a tendency to overuse slow motion and was somewhat heavy-handed with the character of Satan. In both cases, there were multiple times in which less would have been more. Instead, their overuse has a tendency to take the viewer out of the moment and break the spell of Jim Caviezel’s outstanding performance.

At its core, The Passion of the Christ is a story about the importance of faith, sacrifice, and forgiveness. The cast, especially Jim Caviezel, is outstanding and brings an emotional depth to the film that is truly remarkable.

Overall, The Passion of the Christ is a Christian masterpiece that will stay in the hearts of its viewers long after they’ve turned off their TVs. It is a film that beautifully captures the immense love and sacrifice of Jesus Christ and serves as a powerful reminder of the power of redemption and faith in Him.

WOKE ELEMENTS

None.

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Jesus Revolution https://worthitorwoke.com/jesus-revolution/?utm_source=rss&utm_medium=rss&utm_campaign=jesus-revolution https://worthitorwoke.com/jesus-revolution/#comments Tue, 21 Mar 2023 13:00:03 +0000 https://worthitorwoke.com/?p=4139 Even if you've assumed several different things about it, Jesus Revolution isn't what you think.

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Based on the true story of the 1970s movement of the same name, Jesus Revolution tells the tale of the largest spiritual awakening in American history.

Jesus Revolution

I know that I’m a little behind on this one, but I’ve got a good reason. You see, I assumed that Jesus Revolution would be a heavy-handed and melodramatic piece of schlocky crap that sported embarrassing performances and worse dialogue all filmed by a first-year film student that would make Cocaine Bear seem like Citizen Kane. So, I chose to skip it, but I’m all caught up on the series that I’ve been reviewing, and nothing new has come out this week that I haven’t seen and reviewed, so I had a choice to make: watch Jesus Revolution or do my taxes.

Telling the story of how three very different men heard God’s call, and how their willingness to listen planted the seeds for the largest of the four great awakenings in American history, Jesus Revolution stars Kelsey Grammer as Pastor Chuck Smith, the shepherd of a diminishing church in late 60s early 70s California, Jonathan Roumie as Lonnie Frisbee, a barefoot hippie and Jesus Freak who sparks the whole movement, and Joel Courtney as Greg Laurie, a teenage boy from a broken and troubled home who is looking for meaning. Together, the three would come to know the Lord in ways that none of them had ever dreamed of.

Unlike its namesake, Jesus Revolution isn’t perfect, and it probably won’t win over many converts, but its good, like really good. It boasts mostly excellent pacing and crisp and economical dialogue all delivered by good to excellent performers. The cinematography isn’t overly inspired, but it’s not an epic movie with the need for dramatic crane shots, and not every cinematographer can pull off The Fabelmans like Spielberg, who used his skill to elevate an otherwise fair film to Academy contention.

One of the film’s greatest strengths is its understanding of and its ability to articulate The Word with veracity and skill. Jonathan Roumie, who plays Lonnie, unequivocally shows why he is the perfect actor to play Jesus in Angel Studio’s The Chosen series. His peaceful sincerity borders on otherworldly, while Kelsey Grammer gives an equally earnest and nuanced performance. There are several moments in the film in which Grammer’s Smith so clearly expresses the nearly indefatigable heartbeat long flashes that many Christians are blessed to experience when we Know what God wants from us in that singular moment and we are receptive to it. We “hear” the Creator, and we know that he knows that we hear him, and it’s wonderful beyond all reason. Grammer nails it, which I’ve never seen on screen before.

As I mentioned above, Jesus Revolution isn’t a perfect movie. There are a handful of times when one of the three main characters’ story arcs feels artificially rushed to make certain that the film comes in at the 2-hour mark, especially the third act which gets a little muddled and uneven.

Furthermore, while it will almost certainly be an inspiring movie to those who already believe, I think that these rushed beats are enough to take the more secular viewer out of the moment and make Jesus Revolution seem a surprisingly well-done Jesus movie, but not a compelling enough argument to tip the conversion scales.

That being said, if you know someone who is on the tipping point of embracing The Way, The Truth, and The Life, Jesus Revolution has enough going for it that it may just bring them over to the winning team. In any case, it’s worth the try.

Ultimately, Jesus Revolution is a huge leap in quality for Christiany Christian movies, and it deserves our time and money. Fortunately, it’s good too. It’s an absolute relief to be able to mark it as 100% Worth It.

WOKE ELEMENTS

None

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Signs https://worthitorwoke.com/signs/?utm_source=rss&utm_medium=rss&utm_campaign=signs https://worthitorwoke.com/signs/#comments Mon, 31 Oct 2022 03:54:52 +0000 https://worthitorwoke.com/?p=3247 Signs is a suspenseful film with a deliciously mysterious atmosphere that leaves audiences guessing until the very end.

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Signs is a masterful and thought-provoking film that explores the power of faith in the face of the unknown. Directed by M. Night Shyamalan, the film tells the story of a former minister-turned-farmer, played by Mel Gibson, and his family as they witness strange occurrences on their farm that lead them to believe that they are being visited by aliens.

Signs

One of the strengths of the film is its ability to create tension and suspense. Shyamalan has a knack for keeping audiences guessing, and “Signs” is no exception. The pacing of the film is perfect, building to a climax that will leave audiences on the edge of their seats. The performances by the cast, particularly Gibson, are superb and add an extra layer of emotion to the story. The film’s cinematography is also noteworthy, capturing the eerie and mysterious atmosphere of the farm perfectly.

The film’s exploration of faith and belief is particularly striking. The film raises questions about the role of religion in the face of the unknown and how it can be used as a source of strength. The climax of the film, in which the characters’ faith is put to the test, is particularly powerful and will leave audiences pondering the themes long after the credits have rolled.

Another aspect to consider is the aliens’ weakness, which is water, it could be seen as a plot hole, as it seems too convenient for the story, but overall, these small details don’t detract from the overall impact of the film.

In conclusion, Signs is a must-see film for fans of suspense and science fiction. It is a masterful blend of genre elements and a thought-provoking exploration of faith and belief that will leave audiences talking long after the credits have rolled. The film is a powerful, intense, and thought-provoking film that will make you think about the meaning of life and the unknown. A film that will stay in your mind long after it’s over and one that you will want to watch over and over again.

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