Corsicana

The real-life Bass Reeves was an ubermensch worthy of having his tale told. It's too bad that Corsicana is so blandly mediocre.
58/1002181
Starring
Isaiah Washington, Noel Gugliemi, Lew Temple
Director
Isaiah Washington
Rating
R
Genre
Drama, Thriller, Western
Release date
August 26, 2022
Where to watch
Amazon Prime (rent or buy), Vudu (rent or buy)
Overall Score
Rating Overview
Plot/Story
Visuals/Cinematography
Performance
Direction
Non-Wokeness
Rating Summary
It kills me that I can't rate Corsicana any higher, because Isaiah Washington does an excellent job in front of the camera, and the real-life Bass Reeves was an amazing man who deserves to have his story told. One wonders what this character could have been with a budget and someone more experienced behind the camera. With poor pacing, a weak supporting cast, and weaker dialogue, Corsicana begs the question, why didn't the filmmakers make a movie about one of Bass Reeves's actual adventures instead of inventing this unsatisfying and meandering disappointment?
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In Corsicana, we meet escaped slave and the first black deputy U.S. Marshal, Bass Reeves. He was a marksman with rifle and pistol, spoke multiple languages, had a nearly photographic memory, and was responsible for over 3,000 arrests over his 32-year career. Moreover, he did all this without being able to read and never once being wounded, despite having his hat and belt shot off on two separate occasions. He was a bad@$$ among bad@$$es.

Corsicana

Isaiah Washington, best known for his portrayal of Dr. Preston Burke in Grey’s Anatomy, takes on the challenging role of bringing the enigmatic Bass Reeves to life in Corsicana, a film that also marks his directorial debut. Set against a backdrop of a Western wilderness, Corsicana delves into the fictional exploits of the historical figure Reeves, as he relentlessly pursues a dangerous gang of rapists and murderers, led by his fictional former partner, Jack Donner.

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Washington, who also directs and co-writes the film, faces some challenges stemming from his limited experience in these roles. It is a shame because his performance as Reeves is truly captivating, paying homage to the incredible persona of the real-life Reeves. With additional short film projects and further training, Washington could have successfully executed this ambitious endeavor. While he displays commendable instincts, they are occasionally overshadowed by a lack of restraint and an inclination towards artistic expression, sometimes detracting from the storytelling. Consequently, there are instances of questionable camerawork, lingering slow-motion scenes that disrupt the flow, and an initial peak in pacing that is never recaptured.

Another significant drawback lies in the film’s dialogue, which, though not outright schlocky, comes across as amateurish, clichéd, and overly obvious. It often evokes memories of George Lucas’s strained attempts in the Star Wars prequels. Moreover, the script relies excessively on exposition when the power of silence could have had a more profound impact.

corsicana has star wars-like dialogue

Furthermore, apart from Washington’s commendable performance, the rest of the cast struggles to meet the demands of their roles. While they may not reach the depths of the infamous Spider from Avatar, their lackluster performances offer little promise for future endeavors.

Collectively, these factors culminate in a disappointingly unsatisfying conclusion. Although the villains receive their due, the film fails to fully engage the audience, leaving them disconnected.

WOKE ELEMENTS

None

 

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James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

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