The 40-Year-Old Virgin

The 40-Year-Old Virgin is a hilarious romantic comedy about a man trying to lose his virginity with the help of his co-workers.
93/1001973
Starring
Steve Carell, Catherine Keener, Paul Rudd
Director
Judd Apatow
Rating
R
Genre
Comedy, Romance
Release date
August 11, 2005
Where to watch
Hulu
Overall Score
Rating Overview
Plot/Story
Performance
Visuals/Cinematography
Direction
Non-Wokeness
Rating Summary
The 40-Year-Old Virgin is a romantic comedy film about a man who has never had sex and his co-workers' attempts to help him. Steve Carell stars as the lead, with an excellent supporting cast. The film, directed by Judd Apatow, has a well-paced script, a memorable soundtrack, and a mix of sometimes crass and always clever humor. The film conveys a positive message about self-acceptance and relationships and is highly entertaining.
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The 40-Year-Old Virgin is a classic romantic comedy that tells the story of Andy Stitzer, a middle-aged man who has never had sex and is content with his mundane life of collecting action figures and playing video games. However, his co-workers decide to intervene and help him lose his virginity. The film is a hilarious commentary on modern society’s obsession with sex and relationships, as well as a touching portrayal of the struggles of growing up and finding oneself.

The 40-Year-Old Virgin

Steve Carell is perfect in his role as Andy, bringing both humor and heart to the character. His performance is the highlight of the film and is sure to leave audiences in stitches. The supporting cast is also excellent, with Paul Rudd and Romany Malco delivering standout performances. Each actor brings something unique to the table, and the ensemble cast works seamlessly together to create a cohesive and entertaining movie.

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The film’s direction by Judd Apatow is top-notch, with clever editing and a well-paced script that keeps the audience engaged throughout. The film’s humor is crass at times, but it’s also clever and relatable, making it a standout in the genre. The soundtrack is also noteworthy, featuring a mix of classic rock and modern pop that perfectly sets the mood for the film.

While some may argue that the film’s raunchy humor is not for everyone and that its portrayal of women leaves something to be desired, these criticisms are offset by the film’s overall positive message about self-acceptance and the importance of relationships. The film’s themes of self-discovery and the value of friendship are universal and timeless, making it a film that will resonate with audiences for years to come.

In conclusion, The 40-Year-Old Virgin is a highly entertaining film that will leave audiences laughing, crying, and feeling good. Its memorable characters, witty script, and touching themes make it a must-see for fans of romantic comedies and anyone looking for a good laugh. The film is a classic in the genre and a testament to the talent of its cast and crew.

WOKE ELEMENTS

The 40-Year-Old Virgin is a deceptively conservative film. Amidst its often vulgar and adolesent humor, the truth of the film is that waiting for a commited and monogomous relationship is worth it. Everyone in the movie who has had and does have multiple partners is actually somewhat sad, with the exception of Seth Rogen’s Cal, who is too stupid and high to know the difference. Romany Malco’s Jay is a serial cheater and is actually miserable underneath his slick veneer, that is until he finds out that his girlfriend is pregnant. Once he finds out that he is a father (which he acknowledges upon seeing the ultrasound) and comes to grips with the underlying reasons that he cheats, he becomes monogomous and happy.

Then there’s Steve Carell’s Andy. Throughout the film, he’s looking for more than just sexual gratification. In fact, every attempt to “hook up” leaves him feeling diminished. The fact that the film waits for Andy to be married before he finally loses his viginity says more about the film’s true messaging than anything else.

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James Carrick

James Carrick is a passionate film enthusiast with a degree in theater and philosophy. James approaches dramatic criticism from a philosophic foundation grounded in aesthetics and ethics, offering insight and analysis that reveals layers of cinematic narrative with a touch of irreverence and a dash of snark.

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